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They got out first, opened the back of the hearse and slid out the runners, ready to move on Todd’s command. At the same time a man who had been standing on the front steps of the crematorium came down to greet us. From his appearance, I guessed that he wasn’t the clergyman Todd had mentioned: he was in his late twenties or early thirties, with white-blond hair and a craggy, stolidly handsome face. He was built like a rugby forward, but his face wore a solemn, measured expression that made me wonder whether my first impressions had been wrong: maybe he had taken holy orders, out in Beverly Hills somewhere.
We got out of the hearse. Todd and the newcomer locked stares in a way that was definitely hostile: viscerally, bitterly hostile, and bleeding out of their pores despite the constraints of the situation.
‘Maynard.’ The blond man held out his hand, and Todd stared at it for a moment, nonplussed. Then, looking cornered and unhappy, he took it, shook it in a single staccato up-down movement, and let it go again.
‘Mister Covington,’ he said. ‘I didn’t expect to see you here.
The blond man shrugged easily. ‘I was in the neighbourhood,’ he said. ‘It seemed silly to pass the keys on to Fenwick or Digby when I could just come and open up myself.̵ cp m17;7;
There was a perceptible pause. ‘Yes,’ said Todd. ‘I see. This is Mrs Gittings, and this is Felix Castor. And – umm –’ turning to us ‘– this is Peter Covington.’
Covington gave me the briefest of nods and turned his attention to Carla.